Tutorial- update

• Identify examples of hyper-masculinity:

• Movies such as 'Leave it on the Floor', 'Paris is Burning' and the character Lafayette in 'True Blood'- all of these characteristics are an over exaggeration of Gay men, they are overly flamboyant, have accentuated high pitched voices and etc. which may not be a true representation of all Black males. They do, however, represent a part of what it means to be Black and Gay and show he struggles and misconception of them that others hold. 
• Black men in History have the perception of strong, big and violent. These traits maybe because of the representation of Black men during times of the Slave trade (sexualisation, bestial imagery, literal beasts, property) and Post-Segregation (Overly-sexual, thiefs, violent 'other')
• In films have taken on this stereotype by having Black men have these traits in nearly everyday representation if it is not over flamboyant. 

• 'KidULTHOOD'(2006) is an indie film which centres around the narrative of youth and their aggressive, violent and dangerous behaviours and the consequences of those youth living inner city and in  low income households which i an effect of their environment leading them to their violent lifestyles.. This movie also showcases representations of young groups of minorities in a negative light, most often, the Black characters are represented as aggravated, part of gangs and the ones to be apart of the violence in the schools and deaths of the show. Also, the male characters are generally represented as ostracised and because of this have violent tendencies even to force others into fights who are weaker than them. This excursion of power for a male is classic trope in male characters when it comes to dominance. 

• 'Attack the Block' is a fantasy/science fiction film focusing on the life of a so called "gang", a group of friends, going out and being swept up in a fight against aliens who have taken over their estate. The movie does have the stereotypical image of young youth in Britain especially as the boys consist of Black boys with one being racially ambiguous. For starers, the movie begins with the boys 'mugging' or stealing off a woman, solely on that she would not being from their area, but they would later on that she is from their estate and seek help from her. The characterisations of the boys is a strong demeanour with a negative look on those not from their area and a hate for those of who are more wealthy. The use of negative (hyper)masculinity is seen a lot in the behaviour of the boy, as when faced with the encounter of the extra terrestrial being they sought to fight it with their bats and even when their friend is violently attacked they sought to use violence against them. The main character Moses is faced with partaking in illegal drug activities

• These images can be seen as negative but also positive as these men do exist and do poses these traits as those of the film, but since it is wholly this 'negative' image then it truly becomes a disservice and blatant dismissal of All black males. 

• The first, from Kidulthood, shows a young Black male pointing a knife in the face of another Black youth in an attempt to show his power over him.

• The second, from Attack the Block',  is of 

• Is about a male character named Jody who is a 20-years old male who lives with his mother and is unemployed living in the dangerous south central LA. So he is forced to mature as he has a baby with his girlfriend of five years and another daughter with another woman who he cheated on with his girlfriend’s now. He is told constantly to get a job and live with his girlfriend and their son but avoids it. Then his girlfriend’s ex boyfriends is released from prison and forces his way into her life and her house as he abuse her and tries to rape her. But he realises she still loves Jody so he tries to kill him in a true gang la style in a drive by but he is unsuccessful. The movie is classic and is an urban comedy drama.

• Boyz N the Hood (1991) is a look at the lives of three young boys coming of age in South Central Los Angeles during the 1980s and 1990s. The film addresses the social, economic and cultural issues that challenge the youths and cultivate a culture of violence, poverty and abuse. "Boyz N The Hood" suggests that fathers need to take more responsibility for raising their children and expresses that violence and machismo will only contribute to the destruction of families and the devastation of neighborhoods and communities. The film shows us a lifestyle in which black men are regularly killing one another -- one out of every twenty-one die by homicide according to the opening titles, most at the hands of another black man. This pulls more fathers out of their children’s lives, including ones like Ricky, who likely would have grown up to be a constant and powerful presence in his child’s life, the way Furious is for Tre. Instead, he is murdered in an alley simply because someone didn’t like the way he talked.

• This links to my investigation as father figures a recurring theme of ‘Moonlight’ .The conspicuous lack of fathers in the film makes Furious' character all the more worth examining. Much like the ever present figure of Juan to Little in the beginning of the film and the added effect from his words to the protagonist. The absences of fathers from the two movies showcases the effects on the protagonists.

• Post Colonialism:

• Is the study of the effect of colonialism on societies and cultures

Pocahontas was made in 1995, this movie is about how two cultures collide. The set of this movie is "The New World" when men were sent on a ship to find gold and fame but found something else. The main characters are Pocahontas the Native American and John Smith this blonde hair blue eyed hero.When you watch the movie you can see there is a huge culture difference, the Native Americans communicate more with nature and spirits while the English men don't care about the values of the land unless there is gold.

Oueen of Katwe was made in 2016, the two existing cultures would be that of Kenyan culture and the lasting effects of colonialism from the main characters inability to be taught chess. Also, the representations of how there is no real source of education or knowledge of things outside their cultures i.e chess, which is what the movie what conversing to the audience. 

• Crisis of masculinity:

• Two percent were lesbian, gay, or bisexual. As a comparison, 3.5 percent of America identifies as lesbian, gay, or bisexual, according to a recent survey. Plus, things would be a lot worse without just two movies, Pride and Love Is Strange, which accounted for more than half of the LGBT characters shown in film in 2014 and 2015.

• Seven characters—not seven percent, but seven individuals—were transgender. Four of those characters appeared in one show.

Among the LGBT characters of 2014 and 2015:

• Seventy-two percent were male. Seventy-nine percent were white.

• The majority were shown to be in committed relationships, but fewer than one in five were shown as parents or caregivers.

• Representation theorists:

• Bell Hooks- Interconnectivity of race, class and gender.

Pen name of Gloria Jean Watkins. First major work “Ain’t I a woman? Lack, women and feminity” written in 1981. Focused on the perpetuation of systems of oppression and domination in the media paying particular attention to the devaluation of black womanhood. The idea of ‘lack’ or ‘otherness’ refers to the way that women and ethnic minorities are usually represented as ‘other’. Their primary purpose is simply to be other than the norm (usually a white male hero). They are therefore known more by the context of lack than by a realised or complex identity. This theory can be linked to ideas of the monstrous feminine found in feminist analysis of literature and art.

• Alvarado- 'Racial Stereotypes Theory' (1987)

The Exotic: Certain ethnic groups can be represented as being exotic. This is sometimes portrayed through Latino Americans as they are seen as being sex symbols and are represented as being rather explicit. This idea is presented through the usage of their transparent clothing, which is deemed as inappropriate to the rest of society, and controversial behaviour

The Dangerous: Some ethnic groups can be portrayed as dangerous through the analysis of certain people's behaviour. For example, characters in soaps such as Eastenders with a different ethnic background to others is related to violent and aggressive behaviour e.g. abuse. By this representation through the media it creates an awareness so the audience relates this behaviour to the rest of the ethnic group.  This is a very prevalent theme through Rap music which makes it a very widely 'accepted' stereotype that black males are a very violent ethnic group.

Humorous: Other ethnic groups are represented as being humorous through the use of animation and cartoon characters such as Simpsons. This is a stereotypical view of people who are apart of an ethnic group that has been portrayed through the media for example in films.  

In the 1970’s race was a major vehicle for comedy. Programs removed the threat of different races by making them the butt of the jokes. Some movies with a black American man is tend to be seen to make particular jokes against his race or ethnicity.  By doing this it creates a humorous affect for the audience and makes a comedic atmosphere.

The Pitied:  Adverts and documentaries raise awareness for African people and young children who are in need of water and food in order to survive. By doing this not only is it presenting real problems in the world but also creating an atmosphere of pity within the audience which in turn persuades members to pay and portray beneficial methods so they can help these young children in need. An atmosphere of sadness is also made by audience/viewers identifying the lack of basic necessities some children have compared to themselves. 

The representation of ethnic groups may be seen as deprived victims or groups that experience natural disasters or sometimes even conflicts.